Tag Archive: China


STEVIE EAGLE E AND SHLEPP ENTERTAINMENT JOIN WITH TRI-US GLOBAL MEDIA TO PRODUCE 4 MAJOR FILMS

Shlepp Entertainment and Tri-US Global media team up to create 4 feature movies including FearChaser Trilogy

Shlepp Entertainment Supremo Stevie Eagle E AKA Stephen Ellis has announced that Shlepp Entertainment Ltd (his company) will be collaborating with  James With of Tri-Us Global Media on at least 4 full length feature films over the next several years.

Stevie Eagle E has been working with James With on his Fearchaser™ film since 2008.  The Fearchaser™ film originally meant to cast Chinese Star Ayi Jihu in the leading role as Fearchaser™and the original concept  caught fire when it was turned into an on-line video game by Adventure Quest worlds drawing 25 million gamers around the world and reaching an estimated 110 Million audience globally.

It was Fearchaser™ that brought James With of Tri-Us Global Media and Stevie Eagle E together.  James With, a veteran actor and producer of many blockbuster films including independence day and Rambo and Stevie Eagle E have been working together ever since on various projects not only related to film.

James With and Steve Rice at Babelsberg studios in Berlin

Stevie Eagle E has been a consistent figure in the entertainment industry for decades as an artist, writer, musician and producer and only started to develop his passion for film making with the creation of Fearchaser™  This lead to winning best film on his first short film collaboration  InsideOutdirected by Flamina Graziadei in 2013.

In his own words:

I have always been a closet movie maker.  It has always been my passion to be involved in the movies but it seemed a bridge too far for me as a kid and my passion for music being just as strong was easier to pursue.  However story telling and film making has always been in my blood.  I absolutely love and adore film.  I have made dozens of music videos and I feel it was here that I ‘cut my teeth’ in the film making business.  I am blessed that I seem to have a natural talent for many things I put my mind on and music videos seemed to be no different.  Stepping up to real film making was something I always wanted to do when the opportunity and time was right.  Right now I feel I am ready.  I have made several short films playing different roles in each one from PR and Marketing, Music scoring to Co Producer and Producer. I have even directed a few. Through this process I have learnt the basics needed for me to step up to the big league and make feature length films with big budgets. It has taken me almost ten years of hard work to get to this point where I am in the position to make the movies I want to make.  

It is at this point that I would tell anyone wishing to do anything that if they are truly passionate and hard working, If they have the talent and ambition and are willing to sacrifice but most of all never to quit they will achieve their dreams in life.  This has been the case for me.

The collaboration between Shlepp Entertainment Ltd and Tri-Us Global Media has four films on it’s Initial schedule in various stages of development:  Fearchaser™ I belong to the shadows, She (The movie) and another production that cannot be mentioned at this point.  Award winning director Flaminia Graziadei who Stevie Eagle E worked with on two short films already including the award winning ‘InsideOut’ is also scheduled to work on ‘She’ – The movie.

Award winning director Flaminia Graziadei is set to work with Stevie Eagle E on SHE the movie

We asked Stevie Eagle E how he chooses who he works with and why?

People bang on about ‘Talent’ all the time, but for me trust is the major issue.  Trusting that you can do your job, will do your job, will work for the team and protect the team.  There are loads of people with talent, but very few people out there you can really trust.  My team is not new.  All of the important players I have known for many years and I trust them.  They are all amazingly good at what they do.  They are all passionate and real and they are all people who I can depend on.  They won’t flake out on me.  I do believe my true value and worth can be jugged not by the amount of assets I have, but by the people I work with and who will stand beside me through thick and thin.  Because of this I am extremely rich and I can accomplish almost anything.  To build this type of team and develop these types of contacts took decades.  In that time you have to weed out the bad seeds.  This is never easy as people have become quite adept at pretending and camouflage.  So there is a learning curve for oneself, a curve which gives you the eyes and the wisdom to discern who is really with you and who is not and it is not always the ones that smile in your face.  Now I am blessed to have an amazing network.  A trustworthy and talented team all ready to do what needs to be done to make things happen. This is why all the years of hard work is falling into place now.

Shlepp Entertainment CEO and founder Stevie Eagle E

Stevie will you be directing any of the projects you mentioned?

Straight answer: No!  I have confidently directed dozens of music videos and trailers but that is the limit of my expertise at this point.  I am a 10 minute man, over that and I’m a complete novice.  When you are working as a director on large movie projects you are not dealing with  30 or 40 people and a few cameras.  You are dealing with thousands of people sometimes in front of and behind the camera, millions of dollars etc, etc, etc.  I hope that in a few years once I have a bit more experience and knowledge I can think about directing my own full length feature.  I learn fast and I am working with the best so I am confident it wont be too long before you see a film directed by Stevie Eagle E, but right now, no way.  I am concentrating on production and all that entails which is huge in itself.  I also play a big part in the marketing of the films and of course the musical aspects of each film.  I am very much a conceptual thinker.  Or I call myself a ‘light bulb man’  I come up with ideas and concepts that everything can be built around.  For example Fearchaser™ and She the movie all just came from my mind as concepts.  With Fearchaser™  I took it further and wrote a short story, developed some visual aspects, but once it caught fire I then go to the real pro’s to put it all together.  Every project is different as a producer you are involved in all aspects of making that film happen.  You hire the director.

What are your expectations for your films?

Right about now I guess you expect me to be talking about Oscars etc.  The truth is however I just want to get my movies made.  That was my first priority. Raising the capital and getting things all together was a struggle.  I just wanted to get these movies off the ground and see them on the big screen.  I want to make great movies, not just good films, or cool films but great films that people will be watching and talking about long after I am gone.  I don’t care if they win any awards I care that they are good and get the messages across you wanted them to in the beginning.  Movie making is also a business a huge business and my movies have to make money I am not in the business of making clangers.  I know if this amazing team we have does what it can do we shall be successful and yes awards will follow also.  I know all of the movies we have scheduled have the ability to capture the imagination of people all over the world and do very well.  My aim is to make sure these films realise their full potential on all levels.

Shall we be seeing Ayi Jihu, Stephan Dante or Joanna Shegera in any of your films?

I think you could say there is a very good chance you will see all or most of the above in some or all of our films.  Our artists are part of our team and where we can we protectively include them in everything we do.  Obviously they have to be able to do the job.

Stevie Eagle E directs one of his music videos in London

Who would you say is the most naturally talented actor out of Ayi Jihu, Joanna Shegera and Stephan Dante?  

That is a really tough question because they all have natural acting talent.  I am not just saying that because they are my artists either.  If my life depended on it and I had to make a choice in a moment I would go with Stephan Dante.  However I am confident and blessed that we are not carrying anyone here.  Ayi Jihu has already cut her teeth on FearChaser™ trailers and our short film ‘I believe in Monsters’  Joanna has surprised me with the range of emotions she can access during filming and Stephan Dante seems to be able to do just about anything she puts her mind to very, very well.

When can we expect to see your first major film hit the big screen?

I wish I could give you an exact date but it does not work that way until you have it all done, Unless you are one of the big players in this game, which we are not.  What I can tell you is we have already started pre-production on 3 of the films and we hope to go into full production late this year if not early next year on at least two of the films.  We are talking about a hundred million dollar worth of movie projects here so we have a lot of ‘i’s to dot and ‘t’s to cross.  Movie making on this level is not fast.  Another major aim is to fuse cultures and perceptions from around the world bring East and West closer without them even knowing it.  We work closely not only with China but with India on all levels as well as with everyone else.

The partnership of Shlepp Entertainment and Tri-Us global media looks like it will be a fruitful one bringing us some interesting and entertaining films in the future.  At globalnewsink we have been following the progress of Fearchaser™ for some time now and we like millions of others cannot wait to see that movie made.  Independent films are on the rise as independent film makers find different ways of getting the funding to compete more in the lucrative film market.  It also means we have more diverse perspectives when it comes to what hits our big screens.  Making a full length feature film is tough enough getting it distributed is another hurdle independent film makers have to overcome as the big boys have all the power when it comes to screens and times and they are not afraid to use it.  We feel the key to the success of Shlepp Entertainment and Tri-Us Global Media will be in their marketing and distribution strategies.  It is clear that they have the know how and talent to make a good product.

We wish this new partnership all the success and will keep you informed on how they progress

@gloabnewsink published this on 3rd July 2015 at this link: Stevie Eagle E and Shlepp Entertainment join with Tri-Us Global Media to produce 4 Major films.

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"The further a society drifts from the truth, the more it will hate those that speak it." George Orwell

“The further a society drifts from the truth, the more it will hate those that speak it.” George Orwell

This article has been produced and published to shed light on a film project known generally as “All the Tired Horses“; still in production and at the time of writing it is nearly seven years since the project commenced. The producers wish to advise that the statements are known to be true and made without prejudice. The extraordinary length of the ongoing Western Australian Supreme Court case has thrown up inconsistencies and incongruences that highlight concerns of corruption, misuse and abuse of the Australian courts. The producers and defendants involved in making “All the Tired Horses” have been repeatedly subjected to extreme prejudices for many years and are losing faith in what in legal speak is termed due process… dudes, the process is long over due!

Gus in "All the Tired Horses"

James With plays Gus in “All the Tired Horses”

“All the Tired Horses” is about commitment, moralsethics and filmmaking; it’s about a professional producer undertaking to produce a film and unwittingly being faced with immature tantrums, ranting, lies and jealous outbursts from egotistical twins backed by a relentless self-admitted mafia-aligned father employing the services of corrupt lawyers; a manipulated legal system and a project that has become bogged down in the Australian courts, mired by ignorance, arrogance and inept court decisions. The journey in making this film depicts reflections of the “China Brothers” and a “tale of two twins” holding on to a weak romantic childhood illusion of togetherness juxtaposed by a stark vicious reality, displaying the dichotomy of two men moving further apart, both creatively and spiritually, driven by their individualistic dialectic forces emerging from within separate minds and bodies. Retrospective speculation points to the notion that perhaps the brothers experiences with the “All the Tired Horses” project might have been the first time these twins had ever really faced any kind of real world challenges in their lives?

Actor James With - into the Jungle

Actor James With learned the lay of the land growing up in the Kelmscott and Roleystone hills

The “All The Tired Horses” project was started in the first quarter of 2008. The catalyst was an interview by a freelancing English journalist working in Australia by the name of Paul D. China; Sony Pictures Releasing organised a series of publicity interviews for James With to talk about his acting role in “Rambo” wherein he played a Christian missionary humanitarian working in Northern Thailand and Burma. The interviews were organised to promote the fourth film in the movie franchise starring Sylvester Stallone and at that time was set for a theatrical release in Australia on 25th February 2008. Paul China was one on the list of journalists interviewing James With via telephone from Queensland, Australia.

"In The Jungle Rambo Actor James With"

Encore Cinema’s “In The Jungle Rambo Actor James With” by Paul China

If you read and review published posts on the “All the Tired Horses” Facebook page (there is also a full link published at the bottom of this article) you will see that Paul China submitted an unsolicited script for review, which was subsequently assessed and shortly thereafter James With decided to proceed with developing a project to produce a film.

Approximately one month later and after a face-to-face meeting with Paul China and his twin brother Benjamin China in Sydney, Australia it was agreed and decided that James With and other producing parties would structure a project that would allow the young journalist (Paul China) to be attached to direct his first feature film (despite the fact Paul had no prior professional film camera and directing experience). A careful consideration was this young man would be supported by a team of carefully selected experienced professional crew and cast. If it had not been for Benjamin China, his conniving and devious twin brother harboring a self-centred hidden personal agenda, then perhaps Paul may have gotten the chance he dreamed of? The rest… as they say… is history.

Alas and unanticipated by the producers, anger, jealousy and egotism from the less creative of the twin siblings took the project in a vastly different direction… Benjamin China became progressively argumentative, aggressive and overly demanding. He perceived things from his own inexperienced unprofessional perspective and deliberately attempted to dictate the project’s direction and production development. Benjamin China displayed emotional mood swings and temper tantrums in front of other crew members and started lying about the production development progress to his father, Shaun China (the mafia “hot head”), himself a minor 3rd party investor in the project via China Brothers Productions Pty Ltd. 

Believed to be as a result of Benjamin China‘s lies to his father and other investors into China Brothers Productions Pty Ltd, in the 2009 Shaun China began directly threatening James With; the project, other producers and people associated with the project were adversely affected by the aggressive behaviour. Shaun China‘s threats, defamation, slander and bullying actions have continued for years and on multiple occasions Shaun China has publicly announced his personal vendetta against James With, which includes threats of continuing legal action against the defendants in attempts to force them into bankruptcy. Evidence of the extreme criminal mafia tactics have been provided to various authorities including police forces and Government officials in Thailand and Australia.

Despite a Global Financial Crisis placing pressure on the production in the latter part of 2008, film financing capital was raised to meet the project budget requirements and contract agreements. James With attracted reliable and trusted investors committed to seeing the film made. Scheduling a start to filming involved balancing an extremely long and hot summer that had left the specifically chosen locations in Roleystone, Western Australia nestled in the normally lush valleys of the Darling Scarp escarpment dry and parched. Under strict summer fire restrictions and the local by-laws enacted during the hot months of the year, production on these locations was prevented from commencing until after the winter rains had arrived that could reinvigorate and rejuvenate the land. The conditions in the area during the first half of 2009 were in stark contrast to the creative look and feel as desired by Paul China, who had been attached to direct the film. Many of the locations were close to James With‘s family home. James had spent his younger years growing up and attending school. James had roamed the hills as a boy and knew the lay of the land; his life-long connections to the local community, friends and family provided great supports to the “All the Tired Horses” project. He anticipated the opportunity to commence filming in August 2009 as soon as the hills and valleys had returned to their vibrant greenery and the local rivers and streams were flowing to capture the imagery creatively desired on locations appropriately sourced for the film’s subject material. Some filmmakers spend months trekking far and wide to find the myriad of appropriate locations that James With knew where to find in a heartbeat.

By July 2009 the rains had arrived, filming schedules were being readied, filming facilities in the City of Perth had been reserved via lengthy communications with local Government officials and real estate companies, personnel and equipment were on stand-by and at the ready; cameras were ready to roll… the production was awaiting Paul China‘s final revised shot list (comprising a list of desired camera set ups and shots for each scene)… then suddenly without any advance notice the “China Brothers” up and left… Paul China left the project declaring in an email the project was against his “wishes as a filmmaker” and “expressed no desire to shoot” with the state-of-the-art selected film cameras (rather bold and brazen statements considering Paul had never directed a film in his life). Almost simultaneously, twin brother Benjamin China stated in an email “We will wait on the East Coast until production begins.” (another rather bold and brazen statement considering their accommodation, travel and living expenses were all being paid by the production). A couple of childish ‘prima dons’ emboldened by egotism and arrogance and furthermore backed by a threatening mafia father figure and his cronies.

"Shoot Paul and Benjamin China"

Frankie Magazine “Shoot Paul and Benjamin China”

Without any further communication to the other producers of “All the Tired Horses” the “China mafia” proceeded to ratchet up their attack on the production employing an unscrupulous law firm; the firm’s lawyers began to attack the producers and the project in underhanded and illegal ways. Corrupt lawyers in the firm solicited bank statements and records from the ANZ Bank through bank employees without first obtaining court orders and then raced to cover their tracks; the illegal acts lead to a rapid succession of further court orders being handed down by judge Kenneth James Martin that affect the bank accounts operated by Tired Horses Films Holdings Pty Ltd and the other Australian production companies involved in the “All the Tired Horses” project. James‘ personal accounts were also frozen in the flurry of court orders. Further aggression and slander mounted as false and misleading claims from the China mafia were submitted to the court by their unscrupulous lawyers as they hastily explored confidential financial statements and jumped to illogical conclusions.

What is obvious from the evidence on the record at the Western Australian Supreme Court case files is that in the preceding months before filming was to commence in August 2009 the China Brothers were systematically preparing to attack the production – a premeditated and planned war against the “All the Tired Horses” project and the project’s producers and other investors by the China mafia. The mafia war commenced with threats, then extended to using contumelious false and misleading statements in claims by Benjamin China provided in affirmed affidavits accompanying an Originating Summons submitted ex-parte to the Western Australian Supreme Court on the 31st July 2009 (WASC CIV 2376 of 2009 CIV 2583 of 2009). Perhaps what is retrospectively viewed as knee-jerk considerations from the presiding judge Kenneth James Martin the flurry of court orders enforcing interlocutory injunctions on the bank accounts of the production companies that had been set up specifically for services to the project had wide-reaching ramifications; the fact that these orders extended to the producers personal accounts in Australia left all the producers with few choices to continue filming in Australia. To best possibly ensure completion of a film the producers were forced to explore options of completing “All the Tired Horses” outside of Australia. Simultaneously, the producers were required to defend the contumelious legal actions and false claims brought by the China mafia; the producers rights, the rights of other investors and the rights of production crew members have been of paramount importance to those committed and continuing forward to make a film.

The defendants attended a trial held on the 16th March 2010, however the presiding judge Kenneth James Martin decided to adjourn proceedings to a later date; the decision to adjourn the trial was determined by judge Kenneth James Martin upon a last minute application to the court by the plaintiffs legal counsel… that ‘later date’ trial occurred on 5-6 December 2013. What happened in between these dates are events that are more than aptly fitting in the scenes of a mafia movie! 

Despite an Application made by the defendants to Dismiss the Action submitted to the court in November 2011 (it is appalling that this application is still yet to be heard by the court) and also multiple requests over the years to the court to dismiss the debilitating interlocutory injunctions on the defendants the presiding judge Kenneth James Martin has not yet decided to do either.

More than six years on the legal action is still being defended; damages and costs to the production have increased over the years, strong relationships have been strained and tested, loss of earnings and great hardship has been felt and extended to many who are involved in producing the “All the Tired Horses” project. The costs involved and time expended in defending such an aggressive contumelious action are extremely expensive. The emotional stress caused by the China mafia, their associates and assigns on so many people associated with “All the Tired Horses” is immeasurable.

Whilst principal photography initially commenced in August 2009 schedules had to be hastily re-worked; by the end of that year further filming had to be halted as the mafia attacks to the production and people associated with the project continued. The legal attacks on the project have a very negative effect on morale, impacting cast and crew members alike, spreading fear and uncertainty into the Western Australian film community; rumours, especially in the entertainment industry travelled fast and furiously across the country and around the world.

Into 2010 and through the ensuing years the producers persevered with production meetings, further planning and re-structuring efforts; the legal action relentlessly continued negatively affecting the project and people’s lives. Efforts to make a film were grossly impeded. Many hours and great expense had to be directed towards defending the contumelious action brought against the project and producing parties to the detriment of the production and those dedicated to seeing the “All the Tired Horses” film made. Despite offers by the defendants to settle the action amicably the plaintiffs stubbornly refused and the threats and mafioso-style tactics and attacks continued. Police reports were filed and authorities alerted and provided with evidence of the mafia threats, attacks and collusion from associates of the China mafia in their efforts to prevent a film from being made; slander towards the producers and others associated with the Project continues up to the present.

After initiating the legal action against the defendants, Paul China and Benjamin China began colluding to produce a separate film with Brian J. Breheny, a cinematographer who had been employed for the “All the Tired Horses” project to assist and educate Paul China in various aspects of film cameras, lenses and filmmaking processes during the preliminary stages in the project’s development.

The China Brothers

The “China Brothers” captured by Cath Conroy (www.CathConroy.com) Published with permission

According to IMDb (Internet Movie Database) a film titled “Crawl” was officially released in Australia on 20 November 2013Paul China received a credit as a writer and a credit as a director and his brother Benjamin China received a credit as a producer, the film’s cast contained a number of acting talents who had previously auditioned for roles in “All the Tired Horses“. The result is largely seen as a poorly envisaged plagiarised version of the original screenplay that the “All the Tired Horses” project is based upon. Crawl incorporates similar themes and plot lines to the original screenplay of “All the Tired Horses“. Perth actors, Georgina Haig (known for The Mule (2014), Road Kill (2010) and The Sapphires (2012)) and George Shevtsov (known for Dead Calm (1989), Japanese Story (2003)) had been tentatively short-listed for roles in “All the Tired Horses” during professional auditions conducted by Jenni Cohen Casting in late 2008, whilst talent for other roles were being sourced and considered by Faith Martin (highly respected and known for her work on the Australian television series Water Rats (1996) and iconic Australian films including Strictly Ballroom (1992), Satellite Boy (2012) and Cactus (2008) and many other classic Australian films).

In 2012 the China mafia’s associates and assigns attempted but failed to force Tired Horses Films Holdings Pty Ltd into liquidation using Statutory Demands; the company was established to receive a portion of the film’s investment capital that had been invested by China Brothers Productions Pty Ltd for the purposes of making “All the Tired Horses“. An investor into “All the Tired Horses” and a business associate of Shaun China were found to be behind the orchestrated attacks on the project using a number of people and companies connected to Crawl Productions Pty Ltd, a company set up by the China Brothers and associates to produce “Crawl”. A number of the documents presented to support the Statutory Demands by Property About Pty Ltd (a company controlled by associates of Shaun China) in an attempt to wind up Tired Horses Films Holdings Pty Ltd were found to be fraudulent; various parties associated with the attempt had been offered bribes in exchange for their endorsement of certain documents; the Supreme Court of Western Australia dismissed the demands in separate actions (WASC COR 122 of 2012 , COR 123 of 2012, COR 124 of 2012).

On the 15th October 2012 the plaintiffs retained a new law firm supposedly with the idea of bringing in “bigger louder guns” who sought to re-work the plaintiffs false and misleading claims with new twists of deceit. The China mafia’s newly contracted law firm convinced the judge to hive off a section of the claims; thus creating a ‘sub-trial’ or “Trial of Separate Determination” designed at testing the notion that what were legally invested funds in exchange for company shares made in accordance with ASIC and the Corporations Act 2001 were supposedly monies provided on principles of a Quistclose trust – this was a feeble and ill-conceived notion arising from the very concoction of the plaintiffs initial lies and misleading claims. The legal tactic was probably more likely devised and submitted to the court by the new law firm’s principals in the hopes that the defendants would be forced into bankruptcy long before a trial actually came into being?

Off-Screen War - Rambo

Rambo Actor “James With” Fights an Off-screen War

For the remainder of 2012 and most of 2013 attention focused on bringing the legal action to trial for a date determined by judge Kenneth James Martin to take place in December 2013. The setting of the trial date could possibly have been proposed and suggested to the court by the plaintiffs lawyers? The presiding judge Kenneth James Martin may have been swayed to set such a date having been provided with information that falsely implied that an end date was approaching? This could then be construed in cross arguments during the trial by the plaintiffs counsel to declare the “All the Tired Horses” project could not continue past 31st December 2013? The plaintiffs lawyers had not read the terms of the “All the Tired Horses” Production Agreement or if they had, they had conveniently chosen to attempt to twist the wording of the agreement to suit their own unscrupulous legal aims. References during the trial to Monty Python‘s Dead Parrot Sketch from Monty Python’s Flying Circus were in very poor taste and jocularly bantered around by and between the presiding judge Kenneth James Martin and the China mafia’s legal counsel, liberally thrown around to suggest the “All the Tired Horses” project was dead. Such courtroom antics simply demonstrated how mired and burdened the Australian courts and presiding judges have become in the nepotistic mentality that pervades in the courtroom; sad and blatantly indignant behaviour demonstrating that the courtrooms in Australia have become squawking forums at the mercy of unscrupulous lawyers and legal counsel parroting phrases in garbled gobbledygook manipulating case actions seemingly on whims and whimpering whispers, whilst rocking back and forth on elevated perches in polished black shoes and silky weathered robes… Birds of a feather flocking together, making a mockery of the silks… do they even know why they wear such costumes? Or have they been influenced by those courtroom drama movies or productions such as the Silk (TV series) and forgotten what the terms due process, morality, ethics and justice actually mean?

Photography on “All the Tired Horses” recommenced in 2013 only to be halted again by further damage brought by the plaintiffs in their frequently amended claims peppered with lies, false and misleading statements. The obvious manipulation of the Australian court system with their shlock lawyers forcing the continuance of legal action adds to the prejudices experienced by the defendants in the action. Due process has seemingly dissipated; as the years have passed each date set for a court hearing has stretched further and further apart, whilst the presiding judge grapples with his original orders in the face of ever mounting inconsistencies in the revisions of the plaintiffs further and further and further amended Statements of Claims and in contrast to the evidence provided by the defendants. Simply reiterated for clarity here, the plaintiffs claims were deviously trumped up in an attempt to prevent the “All the Tired Horses” film being made after the China Brothers departed from the production in a huff. In December 2013 the producers of “All the Tired Horses” issued Default Notices to Paul China, Benjamin China and China Brothers Productions Pty Ltd. One might reflect here and suggest perhaps that the default notices could have been issued earlier? Suffice is to say that there was a glimmer of hope and going on advice provided to the defendants by their legal advisers it was plausible that the China mafia’s stubbornness and arrogance might waver to the better side of reason and hence that the legal action would be resolved out of court. Unfortunately, dealing with such mafia figures and their aggression has become part of the producing process in respect to “All the Tired Horses” and all who are committed and dedicated to seeing a film made. 

Despite certain deliberation and obviously wrong assumptions made by the presiding judge Kenneth James Martin on 7th February 2014 the court published a decision from the “Trial of Separate Determination” held on 5-6th December 2013; ultimately the judgement handed down was made in favour of the defendants. However, in addition to the trial decision was advice provided by judge Kenneth James Martin and a request that James With was to provide an Undertaking to the court not to incur further expenses or debts on behalf of Tired Horses Films Holdings Pty Ltd from 7th February 2014 onwards and until any application that might be submitted by the plaintiffs to wind up the company. Such advice handed down by judge Kenneth James Martin provided the plaintiffs with yet another angle in which to continue their contumelious attacks on the “All the Tired Horses” project and the producers. It is viewed as quite extraordinary in the course of this contumelious legal attack on the producers and the “All the Tired Horses” project that a presiding judge of the Western Australian Supreme Court would see it as due process and without prejudice to suggest such a “legal option” to the plaintiffs when handing down a trial decision of the court. The China mafia took the suggestion and their appointed law firm ran with it… a flurry of materials were submitted to the court as the judge had set a hearing date for such an application on 21st March 2014.

On 19th March 2014, just two days before the hearing to wind up the company, the defendants were asked to attend an urgent meeting with appointed counsel; once in attendance James With was confronted and given an ultimatum by the defendants appointed legal counsel. The legal counsel had been retained by the defendants and employed to assist and defend against the plaintiffs application to wind up the company; contrary to this, the opposite was being forced on the defendants!

Unconscionably James With was forced at the meeting with the defendants counsel to provide instructions to allow the winding up of Tired Horses Films Holdings Pty Ltd. Statements considered as direct threats to the defendants and the “All the Tired Horses” project were made by the defendants counsel to the effect that if instructions were not provided to allow Tired Horses Films Holdings Pty Ltd to be wound up by orders from the court and a liquidator appointed by the court then they would not be in a position to represent the defendants. Additionally, one of the defendants counsel has previously stated that they had known and been colleagues with Kenneth James Martin before he was appointed a judge of the Western Australian Supreme Court. It seems quite apparent that the Australian courts are weighed down by the huge number of cases and the cost of conducting litigation has become in itself a burden on parties; obvious pressures are being placed on judges, lawyers and those in the legal system to ‘toe the line’ and to resolve cases that have become bogged down by contumelious legal wrangling. One might deduce that in this case due process is being crushed by a stampede of squawking legal parrots? Roughshod shoes are missing in the courtroom and the treacherous trail to trial has become ever more slippery and cumbersome.

On the 21st March 2014 judge Kenneth James Martin provided a decision that ordered Tired Horses Films Holdings Pty Ltd to be wound up under the supervision of a court appointed liquidator, Mr. Giovanni Maurizio Carrello working with BRI Ferrier, an independent national firm that helps organisations manage financial challenges through the provision of insolvency, business advisory and forensic services. The Western Australian Supreme Court orders placing Tired Horses Films Holdings Pty Ltd into liquidation made after the winding-up application submitted to the court adding to the complicit actions of the China mafia and their appointed contumelious lawyers has effectively robbed the “All the Tired Horses” project of approximately One Million Australian Dollars; those invested funds had been properly and legally invested into Tired Horses Films Holdings Pty Ltd for the purpose of making “All the Tired Horses“. The court appointed liquidator is tasked with assessing creditors claims and proofs of debts; under ASIC and the Corporations Act 2001 rules and regulations the company’s employees, creditors (crew members who have worked on the project and others) associated with “All the Tired Horses” are entitled to funds ahead of shareholders. Of course, it would be the case that the liquidator and the court gets paid ahead of creditors. Rhetorical question: Does this kinda feel like the court system is serving its own interests ahead of ASIC and the Corporations Act 2001 regulations that govern companies in Australia?

The Project and the producers continue to be subjected to further abuse from the plaintiffs, associates and assigns.

The next hearing is set for 12th February 2015 and hopefully the court action is soon to be concluded; the producers are optimistically scheduling a release date for a feature length film of “All the Tired Horses” based on this legal action being resolved. In these troubled times of geopolitics and on the anniversary of the attack on Pearl Harbor by the Empire of Japan on Sunday, December 7, 1941 which brought the United States into World War II we publish this summary account of the trials and tribulations in making “All the Tired Horses” – a Morality Driven Drama. The producers wish to thank you for your interest in this project.

There’s a page on Facebook that the words “All the Tired Horses” links to and you might like to review this for more details on the project: https://www.facebook.com/AllTheTiredHorses. We trust you enjoy the updates on the project’s Facebook page and eventually we hope you get to experience the film that we are dedicated to completing as soon as possible.

The Legend, The Madonna and the Casanova – Tito Jackson, Ayi Jihu and Edu.

The Legend, The Madonna and the Casanova – Tito Jackson, Ayi Jihu and Edu

Legend Tito Jackson hooks up with Chinese Madonna Ayi Jihu and Edu Casanova

Legend Tito Jackson, Chinese star Ayi Jihu and Brazilian Star Edu Casanova

Before Chinese star Ayi Jihu could speak English, she could speak ‘Jackson’. Like millions of Chinese kids Ayi Jihu, also known as ‘The Chinese Madonna‘ grew up singing and dancing to Michael Jackson. In her own words ‘We did not know what we were singing but we sang it anyway because we loved it’. Ayi Jihu has carved out a historic career for herself becoming the first true-born Chinese RnB artist to transition successfully to the West. All that and independently too. She credits Michael Jackson and the Jacksons themselves for her inspiration. When asked about the Tag ‘Chinese Madonna’ She tells us it’s more about her business than her music. “Because I am independent and seen as a strong woman not part of the system who does my own thing in China, they compared me to Madonna in that respect, not because of my music or style which is very different. Obviously just like Madonna there are some out there who are not Ayi Jihu fans and seem to be on a mission to discredit me at every turn, but just like Madonna I continue to improve and move forward and I do not pay the ‘Haters’ any attention. I just keep working hard and doing my thing.”

Fast forward to the 19th of January 2014 from the small village in Leibo, Sichuan, China where she grew up and Ayi Jihu finds herself working with the Legendary Tito Jackson on track by Brazilian star Edu Casanova at Shlepp Studios in London. The Jackson’s are the biggest most well-known brand and name in show business. For Ayi Jihu they are the most important name, the inspirational name behind most she has done and now she has come full circle to realise one of her greatest dreams.

Tito Jackson and Ayi Jihu in the studio

Tito Jackson and Ayi Jihu in the studio

Tito Jackson flew in from Brazil having never met Ayi Jihu or Edu Casanova. Ayi Jihu and Edu Casanova have already collaborated on a track due for release later this year. Tito Jackson was introduced to the song ‘Bola Vez’, Edu Casanova and Ayi Jihu by his management. In Tito’s own words ‘I Checked out her [Ayi Jihu] website, music and story and I thought she was beautiful, talented and compelling. I also thought she is an important artist, someone who is in the right place at the right time in history,’ I loved the song and what I saw from Edu Casanova also. He is a passionate singer and songwriter. For me it was something I felt I had to get involved with for many reasons, not just the music.”

Tito Jackson with his Manager Vila billups and Ayi Jihu

Tito Jackson with his Manager Viola Billups and Ayi Jihu

For an artist like Tito Jackson, the very corner-stone of the Jackson’s getting back to music must be something to relish. With the press and media always hungry for all things Michael and his family in constant legal battles enjoying the simple pleasure of making music and being an artist must be a godsend for Tito. His sons (Who have a group of their own 3T) are also in London for the TV show The Big Reunion and Tito himself is working on a brand new album which he says is simply ‘Tito’. This gentle articulate gentleman is hungry to put the Jackson brand and focus firmly back onto music. Just like his brother Michael, Tito’s gentle manner completely disappears once he gets on stage or behind the microphone. It’s an almost 360 degree turn into a Showbiz Monster.

Ayi Jihu helps Tito with his portuguese in the studio in London

Ayi Jihu helps Tito with his portuguese in the studio in London

Tito flew in from Japan and headed straight for the studio. With the Jackson’s back on tour in the USA there was not much time in the UK. The press and media had also already got wind of his arrival and were laying in wait to speak to Tito and Ayi Jihu about their collaboration on this song with Edu Casanova. Not only did Tito and Ayi have to record in one day, they also had to shoot the promo video for the song. After a 16 hour flight, and no real rest Tito Jackson hit the studio and within a few minutes he was on the mic. When you have been brought up in music like Tito Jackson, the old school way, things like this are taken in ones stride. None of the extras, histrionics, moaning or ludicrous request of the so-called stars of today. Just in the studio and straight down to work. Old school, Professional, real.

Tito Jackson gets straight to work at Shlepp Studios in London

Tito Jackson gets straight to work at Shlepp Studios in London

Unfortunately Brazilian Singer songwriter Edu Casanova (and yes that is his real name) could not make it to London in time. Edu had just finished a live show in Bahia Brazil where hundreds of thousands of people turned up. Unlike many Western stars, Brazilian performers cannot perform for a few minutes and disappear. Three sometimes , four hour shows are common in Brazil. It was impossible to fly him to London in time. Edu Casanova is the writer and main artist on the song Bola Vez. The song Tito Jackson and Ayi Jihu are both featured on. The song is a fusion of Portuguese and English. A funky, almost Cool and the Gang ‘Get down on it’ type joint that makes it hard for you not to start moving. Produced by Peter (Doc B) Bielig in Brazil it could go all the way, especially when you think of the line up!

Stevie Eagle E and Peter Doc B - Peter Doc B produced the Bola Vez Track

Stevie Eagle E and Peter Doc B – Peter Doc B produced the Bola Vez Track

The UK side of the music and video production and also the director of the video: Stevie Eagle E and his Shlepp Entertainment team.
The producer of Bola Vez and is Peter Doc Bielig. Stevie Eagle E and Peter Doc B have worked together for over 20 years forming a successful artist and production team from which Shlepp Entertainment Ltd was created. EEDB (Eagle and Doc B) produced and wrote for Viola Billups and the Flirtations. Viola Billups is now the manager of Tito Jackson. Viola Billups who grew up with Lionel Richie and Stevie Wonder and was herself a successful Decca recording artist was introduced to Ayi Jihu and Edu Casanova through Peter Doc B and that is how this whole collaboration came to be.

This collaboration as big as it is part of an even bigger picture. When one considers the fusion of music, cultures and artists and who they all reach, you begin to get an idea of just how big this could be. The biggest stars in the West are limited in China, due to language, culture and lets say Chinese Swag. The same can be said of the biggest stars in China. Music alone is not enough to cross over. You need to be accepted as a person and understood by the people you are singing to. This understanding does not always have to be language but it has to be something communicated which allows you to reach people who do not understand you. Perhaps thus far only Michael Jackson had mastered this conundrum. Now however Ayi Jihu seems to have this magical formula of being accepted and understood by both East and West, in fact by everyone! This allows her to open up the whole of China to other artist who collaborate and work with her bringing artist like Edu Casanova and Tito Jackson not just to the 200 million Chinese that may be able to understand them, but to Billions of Chinese everywhere.

Tito Jackson with Ayi Jihu and Stevie Eagle E from Shlepp Entertainment Ltd

Tito Jackson with Ayi Jihu and Stevie Eagle E from Shlepp Entertainment Ltd

This is reciprocated in Brazil and also the USA and Europe as Edu Casanova helps Ayi transition to Brazil and Tito Jackson helps her transition to the USA and the West. So what you have here is not just a musical collaboration, but a well thought out strategic and cultural collaboration that could signal a real change in the music industry over the next several years.

Masterminding all of this are several people Stevie Eagle E (Shlepp Entertainment Ltd ) Bernhard Storz (Storz Media GMBH) and Peter Doc Bielig. It is their vision and energy that has brought all these artists together and put this grand plan in place. Something individually and collectively they have been working on for over 10 years!

Tito Jackson with Bernhard Storz from Storz Media GMBH

Tito Jackson with Bernhard Storz from Storz Media GMBH

Peter Doc Bielig has almost completed the Edu Casanova album, working at the world-famous WR Bahia studios in Bahia Brazil. Ayi Jihu has already collaborated with Edu Casanova on Ilumina. She flew to Brazil late last year to record the song and also shoot the video with Edu. She also recorded and shot a video with another Brazilian rising star Maristela Muller. Another important part of this international puzzle.

Edu Casanova and Chinese Star Ayi Jihu new single Ilumina

Edu Casanova and Chinese Star Ayi Jihu new single Ilumina

The song Ayi Jihu recorded with Brazilian ‘Pop Princess’ Maristela Muller is called Xiboom and this is also due for release in 2014. All the artists are signed to Storz Media GMBH/Shlepp Entertainment Ltd. The constant theme throughout all of these collaborations is Ayi Jihu.

This international line up is preparing to tour the world taking their unique blend of music, culture and vibe to China, Europe, North America and beyond.

Maristela Muller and Ayi Jihu new track Xiboom

Maristela Muller and Ayi Jihu new track Xiboom

While the rest of the music industry tries to find its way in a changing world with shrinking domestic markets. This group of artists and mavericks are blazing a trail that leaves them way ahead of the competition. A combination of artists that cover practically all demographics with a huge global fan base and international cultural mix. Blending the roots of popular music with the future of popular music fusing languages and using social media to break down new markets.

We also have it on good authority that this global movement is not just about music but about social change and consciousness. The forthcoming tour will have a strong Anti-bullying and Cyber-bullying message, which will also include internet trolling (which is just another form of Cyber bullying) Something which Ayi Jihu and Tito Jackson have experienced first hand. The aim is to reach out to people especially the kids worldwide and change their perceptions about what is acceptable behavior to others no matter what race, culture, gender or persuasion they may be. This is something that Ayi Jihu has been advocating and preaching for several years now using her FearChaser alter ego as an example. With an established young audience of over 25 million kids who played her online Fearchaser™ Game she has a solid foundation for which to take her campaign global working with others like Tito Jackson and Edu Casanova.

Ayi Jihu Fearchaser™

Ayi Jihu Fearchaser™

So as the girl they call ‘The Chinese Madonna and the Legend that is Tito Jackson do the press and media round in the UK, speculation grows as to the future of this collaboration. A Collaboration that will include Edu Casanova in Brazil. Bola Vez maybe the first product of this Collaboration but it will not be the last.

Tito Jackson and Ayi Jihu meet the media in london

Tito Jackson and Ayi Jihu meet the media in london

There is a lot more to come from the Legend, The Madonna and the Casanova.

Follow more media news from around the globe @globalnewsink

From the GardianLV

Tito Jackson and Ayi Jihu in London Studio Recording New Song

Added by Michael Smith on January 21, 2014.
Saved under Breaking News!, Entertainment, Michael Smith, Music, World
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Tito-Jackson-and-Ayi-Jihu-2-e1390290011926

Tito Jackson; legendary superstar; older brother to Michael Jackson and one of the original members of the Jacksons, aka Jackson 5, arrived in London today from Japan, in order to do a collaboration with Chinese singing sensation Ayi Jihu, who is signed to Shlepp Records, and the two artists are recording a new song together at London’s Battery Studios. It will be the first time the two have met in the flesh and the first time they have worked together.

Tito, who started the Jackson’s off on their long lasting music legacy by borrowing his father Joe’s guitar at the age of eight, will be not only collaborating with Ayi Jihu, but also with Brazilian recording star Edu Casanova. The two singers will appear on the Brazilian’s song Bola Vex. Ayi, who is a huge fan of Tito’s, has already collaborated with Edu before and she will be the first Chinese artist to ever perform at the Brazilian Carnival where she will be appearing alongside Edu.

This “tri” collaborative effort on Bola Vex will be released by the German Company Storz Media GmbH. Ayi Jihu, who has been called the Chinese Madonna, was introduced to Tito Jackson by his manager Vie Billups and record producer Peter Doc Bielig. Billups is a former recording artist for Decca and part of the group the Flirtations, aka Pearly Gates and Bielig is the producer of Casanova and his song Bola Vex.

Bielig has produced earlier collaborative tracks with Edu and Ayi and he is close friends with Stevie Eagle E, who is Ayi Jihu’s manager. When Bielig and Billups introduced Ayi to Tito the two found that they were singing the same key. Jihu was already excited at the prospect of meeting one of her childhood idols and she said that to record with Tito was a “dream come true.”

Tito Jackson and Ayi Jihu are in Battery Recording Studios in London to work on the new song that is part of Edu Casanova’s Bola Vex. Ayi has been taking China by storm and has a legion of fans across the country and, after her earlier collaboration with Edu, fans in Brazil as well. Jihu moved to the United Kingdom when she was a child and it was in this country that she started her career.

In 2010 the BBC dubbed the performer the “Chinese Madonna of Cambridge” and publicized the fact that since she signed with Shlepp Records in 2007, her first album had gone gold after being downloaded over 100 million times in China.

Ayi Jihu and Tito Jackson meeting for the first time in London
Tito Jackson meets Ayi Jihu for the very first time; legends together.

Ayi Jihu, and her idol, Tito Jackson will record their vocals on the track and also shoot their parts for the song’s promotional music video. The song is due to be released spring this year. Sadly, Edu Casanova was not able to be in London at the same time as his collaborators, but, he plans to link up with Tito and Ayi in Brazil later in the year.

Jihu has already reached legend status by her own efforts and this meeting in London is the first time that she has come “face-to-face” with her “all time idol.” These two legends performing together on Edu Casanova’s track Bola Vex will be an almost historical event in the music world as this new R&B legend works with one of the best known names in the business.

Tito is planning on heading out to China after finishing his U.S.A. commitments to perform live with Ayi Jihu as well as collaborating on more songs with the 30 year-old Chinese Madonna. Tito and Ayi will be in London until January 29 recording their new collaborative song. Peter Doc Bielig and Stevie Eagle E are currently working on the production and remixing of Tito Jackson’s latest album.

By Michael Smith

Sources:
Stevie Eagle E
DiMarkco Chandler

Thursday 16th January 2014 – today, whilst working on my current Film Projects I have been compelled to take time out and write my first blog article for 2014 …

Anonymous Motorcycle Driver during "Bangkok Shutdown" march on Sukhumvit Road, Bangkok, Thailand

Anonymous Motorcycle Driver during “Bangkok Shutdown” march on Sukhumvit Road, Bangkok, Thailand

Yuriko Koike, Japan’s former defense minister and national security adviser, was Chairwoman of Japan’s Liberal Democrat Party and currently is a member of the National Diet. In her article titled “Who Lost Thailand?” published on 15th January 2014, Ms. Yuriko Koike writes “Thailand, Southeast Asia’s most developed and sophisticated economy, is teetering on the edge of the political abyss. Yet most of the rest of Asia appears to be averting its eyes from the country’s ongoing and increasingly anarchic unrest. That indifference is not only foolish; it is dangerous. Asia’s democracies now risk confronting the same harsh question that the United States faced when Mao Zedong marched into Beijing, and again when Ayatollah Ruhollah Khomeini ousted the Shah in Iran. Who, they will have to ask, lost Thailand?”

As a long time expatriate resident of Thailand there are quarter tones joined as chords that resonate in unison, 21st century composers in sympathetic dissonance, emanating from the trading partner-ships whistling through troubled waters in the East China Sea, the stage of Japan’s dispute with China to the smaller vessels hauling materials on a variety of other covert Whistle-blowers and covered junks conducting business, whilst traveling up and down the Mekong River, a vital chord flowing with life, connecting China, Burma (Myanmar), Laos, Thailand, Cambodia, Vietnam. From the river’s banks life is bottled up and exchanged in merchandise that ripples through many states, the birth places of many indigenous peoples from Qinghai, Tibet, Yunnan, Shan, Luang Namtha, Bokeo, Oudomxay, Luang Phrabang, Sayabouly, Vientiane, Vientiane, Bolikhamsai, Khammouane, Savannakhet, Salavan, Champasak until eventually the remaining silt branches out and spills into various points and exits Vietnam somewhere between the Gulf of Thailand and the South China Sea, where sabre-rattling and posturing continues to spread outwards.

The Mekong Delta (Vietnamese: Đồng bằng Sông Cửu Long or in English often transliterated to mean the “Nine Dragon river delta”) could be accurately described as a rather gradual fertile river delta and unlike Japan it is not close to any submarine abyss. Continuing movement on the subduction zone associated with the Japan Trench is one of the main causes of tsunamis and earthquakes in northern Japan, including the megathrust Tōhoku earthquake and resulting tsunami that occurred on 11 March 2011.

People marching during "Bangkok Shutdown" on Sukhumvit Road, Bangkok, Thailand

Despite the “Bangkok Shutdown” the Chao Phraya River continues to flow smoothly through Bangkok, known fondly as the “City of Angels” of the Far East and as with all rivers on the planet it too eventually meets a large body of water to empty into… and waterways are the veins of sustenance for life in all forms, and often are diverted, reformed, dammed and flooded, by natural forces as well as by human beings … as the seasons ebb and flow, the climate changes and prevailing winds of change wreak havok on agriculture and commercial business interests alike, there remains a natural inclination for things to remain in balance.

Perhaps, in a wider context the expressed perspective from Ms. Yuriko Koike shows how much Western ideologies have influenced and shaped the Japanese economy and the Japanese people’s opinion since the United States of America decidedly dropped Nuclear weapons of mass destruction on Hiroshima and Nagasaki back in August 1945? On August 15, six days after the bombing of Nagasaki, and seven days after the Soviet Union’s declaration of war, Japan announced its surrender to the Allies, signing the Instrument of Surrender on 2nd September 1945, commonly acknowledged as officially ending World War II. The bombings’ role in Japan’s surrender and their ethical justification are still debated.

People marching during "Bangkok Shutdown" on Sukhumvit Road, Bangkok, Thailand

Thailand: “Occupy Bangkok” Begins – Published 13th January 2014 is a very interesting and well-balanced account of what’s happened over the last decade to bring about the current protests in Bangkok Thailand being staged against the present Government that was elected by a majority vote supported by a well-financed regime leader living in exile that has used “Thaksinomics” as a political tool to amass a personal fortune; Taksin Shinawatra is himself supported by very strong wealthy global banking powers that want a larger share of the Kingdom’s valuables as well as those of other neighboring countries that have developed more slowly but are also are full of natural resources and deeply fertile environmental jewelry.

In the most recent general election Thailand‘s people voted to put Thaksin Shinawatra‘s sister Yingluck Shinawatra, a member of the Pheu Thai Party, and the 28th and current Prime Minister of Thailand following the 2011 general election into lead a new Government of Thailand. Yingluck is Thailand’s first female Prime Minister and at 45 is the youngest Prime Minister of Thailand in over 60 years.  A Statement delivered by Yingluck Shinawatra, H.E. the Prime Minister of Thailand on the dissolution of the House of Representatives was delivered on 9 December 2013. Many people in Thailand are now protesting against the regime’s manipulation of the country’s legislatures, its infiltration of Government structures and large corporations who have benefited from Thaksinomics.

There is an expressed feeling that the pillars of Government have been abused to such a degree that it has become unacceptable and unconscionable to remain in the shadows. The links in the Thailand: “Occupy Bangkok” Begins – Published 13th January 2014 article also lead to other interesting articles too.

Then on the same day my attention is directed to another article, written by William Pesek, a columnist writing for Bloomberg based in Tokyo, Japan. And this makes me ask the rhetorical question, which more aptly put is an observation: Who Won Japan?

Bloomberg should be ashamed to publish such an article. William Pesek’s views are way too polarized and filled with silly ignorant inaccurate general “sound bite” statements and phrases, such as are contained in “The choice is between Egypt and South Korea. It’s time for Thailand’s 67 million people to decide whether they want to live in a constant state of chaos and socioeconomic stasis (like Egypt), or to move up the economic ladder, Korea-style. The only way democracy works is if a critical mass of the people trust it. In Thailand’s case, that means building credible and independent institutions that provide checks and balances for elected officials. Only strong judiciaries, anti-corruption arms and networks of government watchdog agencies can ensure accountability.” … This, simply put is trashy journalism at its worst and Bloomberg should be careful to call it a “Bloomberg View”.

Bangkok Needs More Bread, Fewer Circuses” By William Pesek
January 15, 2014 11:26 AM EST – Uploaded by UUID:7953017 at 1/15/2014 11:23 AM

William Pesek is based in Tokyo and writes on economics, markets and politics throughout the AsiaPacific region. His journalism awards include the 2010 Society of American Business Editors and Writers prize for commentary.

Since joining Bloomberg in 2000, Pesek’s columns have appeared in the International Herald Tribune, the Sydney Morning Herald, the New York Post, the Straits Times, the Japan Times and many other publications around the world. Pesek began his journalism career writing for the American Banker and Bond Buyer newspapers. He also worked for Dow Jones Newswires, where he wrote the daily credit markets column for The Wall Street Journal. Pesek earned a bachelor’s degree in business journalism from Bernard M. Baruch College-City University of New York.
Reference: http://www.bloomberg.com/view/bios/william-pesek/

The future for the peoples living in Thailand, the Governance of Thailand, it’s prosperity and the prosperity of Thailand’s South-East Asian neighbors is all at stake and will be affected by how things are perceived and the reaction of people not only in Thailand but also throughout the world. Why? Because, trading, imports and exports, for Thailand and ASEAN is contingent upon keeping the rivers flowing, water being proportioned in a balanced and respectable way for life to be sustainable and peaceful.

We pray for a process that will be as painless and as death-free as possible … we are living in interesting times… and we have a ways to travel yet… floods, droughts, come rain and shine, survival is a matter of adapting to change.

Thank you for taking the time to read my article, and here’s wishing you a safe, healthy and successful 2014 as we approach the Chinese Year of the Horse.

Blessings,
James With

PS After writing this article, the following articles were brought to my attention:

By Lewis M. SimonsCan Thailand Avoid Another Coup?“published 16th January 2014 formerly as “Thailand’s Grave Future”

By Credible Reform, Not Shutdown, Needed to End Thailand’s Political Standoff” – 15th January 2014

By @charliecamp6ellThe Nightmare Gets Worse For Embattled Thai PM Yingluck” – 17th January 2014

By Veera Prateepchaikul, Former Editor, Bangkok Post – Opinion “Corruption Award Goes to Rice Scheme”  – 17th January 2014
© Post Publishing PCL. All rights reserved. View Bangkok Post policies at http://goo.gl/9HgTd and http://goo.gl/ou6Ip.

By Voranai Vanijaka in Bangkok Post – Opinion Commentary “With all sides wrong, There can be no right” – 19 January 2014
© Post Publishing PCL. All rights reserved. View Bangkok Post policies at http://goo.gl/9HgTd and http://goo.gl/ou6Ip.

By Thin Lei Win Source: Thomson Reuters Foundation “Shutdown Protests in Bangkok ratchets up risk of violence and coup, ICG warns” on Tuesday, 14 Jan 2014 07:00 AM & “The din of misogyny at Bangkok protests” on Friday, 17 Jan 2014 10:29 AM

Reuters Reporting by Pracha Hariraksapitak; Writing by Alan Raybould “Thai government imposes state of emergency in Bangkok” on Tuesday January 21, 2014 4:47pm IST

By Marc Saxer in Social Europe JournalHow Thailand’s Middle Class Rage Threatens Democracy” on Thursday, 23 January 2014

By William Pesek on Bloomberg Opinion “Thailand Is Only the Tip of Asia’s Iceberg” on Friday, January 24, 2014 5:00 AM GMT+0700

By Pradit Ruangdit in Bangkok Post “Suthep: PDRC is ‘’pro-democracy’’ movement” on Friday, 24 January 2014 at 23.25
© Post Publishing PCL. All rights reserved. View Bangkok Post policies at http://goo.gl/9HgTd and http://goo.gl/ou6Ip.

By The Sunday Nation Newspaper “Suthep will be arrested soon, should surrender to avoid violence: Chalerm” and “Advance voting to go ahead” on Sunday, 26 January 2014 at 01:00

By Suttinee Yuvejwattana and Anuchit Nguyen in Bloomberg News “Yingluck Rejects Proposal to Delay Feb. 2 Thailand Election” on Tuesday, 28th January 2014 7:03 PM GMT+0700 To contact the reporters on this story: Suttinee Yuvejwattana in Bangkok at suttinee1@bloomberg.net; Anuchit Nguyen in Bangkok at anguyen@bloomberg.net

By David EimerThai red shirts leader says ‘It’s time to get rid of the elite’” on 30 January 2014 at 10:42AM GMT and previously “Anti-government protests escalate in Thailand amid calls for a ‘people’s revolution’” on 26 November 2013 at 12:04PM GMT and “I can back down no further, says Thai PM Yingluck Shinawatra” on 10th December 2014 at 9:45PM GMT and  “Thai Prime Minister considers delaying election as anti-government protesters blockade Bangkok” on 13 January 2014 at 12:19PM GMT and “Thai anti-government protesters threaten to kidnap PM” on 14 January 2014 at 3:21PM GMT and

Chinese Star Ayi Jihu planning a return to China

Chinese star Ayi Jihu planning to return to China

Chinese star Ayi Jihu planning to return to China

After over 4 years of Globe trotting around the planet building her name and brands it seems Chinese Star Ayi Jihu is looking to go back home to China. The Chinese sensation who has built her name as a singer, ambassador and philanthropist and now an actress is planning to return to her hometown area of Leibo and her region of Sichuan some time this year. Possibly Sichuan’s most famous export after it’s spicy food this spicy artists has become a worldwide name from Africa to Europe, North America to the Middle East and continues to grow through her music and Fearchaser™ Brand.

GlobalNewsInk who monitor Ayi’s tweets and social networks in China picked up a tweet from her letting her friends know she was planning to come back. We wasted no time in getting hold of Ayi Jihu to confirm if this was true. Ayi Jihu confirmed she was planning to go back to her region of China before next year when she would be too busy with FearChaser and various other Movie and Musical projects. ‘If I don’t go now I’m not sure when I will get back home and I really miss home’.

Chinese star Ayi Jihu reported to be heading back to China

Chinese star Ayi Jihu reported to be heading back to China

The obvious question on everyones lips was: would she be doing any live shows? We asked her about her plans. ‘I know everyone wants me to perform and I am sure I will, but I do not want to turn this into a music tour otherwise I will not spend anytime with my family or friends. I plan to do many things including a few shows, some tv and press, but mainly I just want to get back to my home and be with some of my friends and family who I have not seen for quite a while’. We tried to push Ayi further on her schedule and plans but she remained tight lipped about any exact details including when she is actually planning to go there. All we know is she wants to go before 2014

Ayi Jihu is known all over China and Asia but it is the 200 million plus region of Sichuan where she is the most famous. Her Aunt Asha Jihu is an established public figure and star and Ayi will be welcomed back with open arms by millions of fans in Sichuan who have never seen her perform live. Ayi Jihu comes from a small village in Leibo County, which is in the region of Sichuan, she is minority Yi.

We will keep you informed with any developments on Ayi Jihu’s return to China here at GlobalNews.

For More information on Ayi Jihu visit her website www.ayijihu.com

Follow GlobalLink on Twitter: @globanewsink

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Global News provides stories, blogs, information and insight on entertainment news from around the world predominantly focusing on Shlepp Entertainment Ltd Media, Artists, News and projects as well as Asian news.

Shlepp Entertainment Ltd is a small, but global, Entertainment Company that continues to diversify as a result of the entertainment markets demands.

Originating solely as a production company, Shlepp was originally founded by Stevie Eagle E and Peter Doc Bielig (Doc B) who were known as EEDB, as well as Stevie E and the NAN respectively. Both Stevie Eagle E and Doc B had successful careers in the music industry independently before they came together, but as a team they excelled both as an act and in writing and production.

Now exclusively owned and led by Stevie Eagle E, Shlepp Entertainment Ltd has expanded to movie, animation, photography, web design, and artist development. Its reputation, combined with a foundation of 30 years of success, makes it a coveted entity in the entertainment industry.

Shlepp Entertainment Ltd is a global company with strong connections in the Asian market. Shlepps Chinese artist, Ayi Jihu, fundamentally changed the way Shlepp Entertainment worked. The focus of Shlepp is to create an opportunity for talented artists to cross over from the Eastern to Western world, and in turn, become an international force. Shlepp’s work with Ayi Jihu has surpassed all others in this area and has successfully established her as the first cross over Chinese R&B Pop artist and icon in history.

Shlepp concentrates on building responsible social icons in a selective, unique way that other labels have not considered. This includes creating association with various philanthropic opportunities upon introduction; in other words, paying it forward is not an afterthought. This has been the model in developing Ayi Jihu. This concept has created a rewarding approach to traditional icon status.

Coinciding with the release of her latest single “It’s Magic”, Ayi Jihu has recently been appointed as an Ambassador for SISHA (South East Asia Investigations into Social and Humanitarian Activities). SISHA is a registered Australian not-for-profit organisation that strives to ensure justice and the protection of human rights for victims of human trafficking, bonded labour, physical and sexual assault and other forms of exploitation and oppression in South East Asia. SISHA is a non-religious, non-partisan and non-governmental organisation.
AYI JIHU SISHA AMBASSADOR

Shlepp Entertainment & TRI-US Entertainment have joined together in creating, developing & producing the Ayi Jihu Fear Chaser Chronicles, a franchise property developed and initiated from Ayi’s own life story, in an epic battle between Hope and Fear … One girl holds the key to victory!

For more information:
Shlepp Entertainment http://www.Shlepp-Entertainments.com
TRI-US Entertainment http://www.TRI-USentertainment.com
FEAR CHASER CHRONICLES http://www.FearChaser.com

AYI JIHU FEARCHASER® JOINS THE FIGHT AGAINST HUMAN TRAFFICKING AS NEW SISHA GLOBAL AMBASSADOR.

March 26, 2013
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Chinese Star Ayi Jihu announced as SISHA Ambassador

Chinese Star Ayi Jihu announced as SISHA Ambassador

Fresh on the heels of the pre-release of her latest single It’s Magic (due out April 1st 2013) which is all about love. Ayi Jihu seems to be putting her money where her Fear Chasing mouth is as she is announced as an Ambassador for Anti Human Trafficking and Exploitation Organization SISHA

Seasoned Ayi watchers will not be surprised to hear Ayi is representing another Charitable organization but even they will recognize that Ayi Jihu representing SISHA is a little bit more. SISHA is a very hard hitting and proactive organization at the Sharp end of Human trafficking and Exploitation in Asia. This is not a ‘Walk in the park’ or an easy assignment. This is real FearChaser® stuff.
SISHA raids & rescues

Steve Morrish CEO and Founder of SISHA Said. “We are so excited to welcome Ayi Jihu as our new SISHA Ambassador. Working with Ayi, who is incredibly talented and tapped into Asian audiences, is a great honor. Using the artists and collaborating with artists who are passionate about stopping human trafficking in Asia is key in the fight to end modern-day slavery and other types of exploitation.”

Fighting against exploitation

Ayi Jihu who is already a Woman of Action Ambassador representing A celebration of Women foundation inc, as Well as an Ambassador for Federal Association for the Advancement of Visible Minorities (FAAVM) and a Partnership for Peace (AP4P) is up for the Challenge and told us: “This is something I really want to get my teeth into. I have been talking to Steve Morrish and his team for some time about this, but did not want to get involved until I felt I could really make a difference. SISHA get their hands dirty and deal with some of the most tragic stories and situations everyday. I want to help. I am passionate about SISHA and what they do. I will do my best to shine a light on SISHA and what it does and help raise funds if I can.”
AYI JIHU SISHA AMBASSADOR

Chinese Star Ayi Jihu new SISHA Ambassador

If Anyone can do it Ayi Can; Ayi Jihu has a knack of turning heads and we are sure she will do the same for SISHA. We wish her the best of luck.

To find out more about SISHA and what they do visit their official website http://www.SISHA.org

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